

Every month in OTW Signal, we take a look at stories that connect to the OTW’s mission and projects, including issues related to legal matters, technology, academia, fannish history and preservation issues of fandom, fan culture, and transformative works.
In the News
As part of Copyright Week 2026, the Electronic Frontier Foundation (EFF) highlighted a broken aspect of U.S. copyright law: statutory damages. These are fines imposed on platforms and users for copyright infringement, and because there is little guidance on how to calculate them, they can far exceed the amount of actual financial harm—up to $150,000 per work. For the many internet users whose online presence relies on re-use, this creates steep risk and encourages online censorship.
Massive, unpredictable damages awards for copyright infringement, such as a $222,000 penalty for sharing 24 music tracks online, are the fuel that drives overzealous or downright abusive takedowns of creative material from online platforms. Capricious and error-prone copyright enforcement bots, like YouTube’s Content ID, were created in part to avoid the threat of massive statutory damages against the platform. Those same damages create an ever-present bias in favor of major rightsholders and against innocent users in the platforms’ enforcement decisions. And they stop platforms from addressing the serious problems of careless and downright abusive copyright takedowns. […]
“But wait”, you might say, “don’t legal protections like fair use and the safe harbors of the Digital Millennium Copyright Act protect users and platforms?” They do—but the threat of statutory damages makes that protection brittle. Fair use allows for many important re-uses of copyrighted works without permission. But fair use … can sometimes be difficult to predict when copyright is applied to new uses. Even well-intentioned and well-resourced users avoid experimenting at the boundaries of fair use when the cost of a court disagreeing is so high and unpredictable.
The EFF proposes a fairer system: limit statutory damages to a multiple of harm or eliminate them altogether in cases of good-faith fair use.
The EFF has a long history of tackling problems in U.S. copyright law. In 2008, with support from the OTW, the EFF petitioned the U.S. Copyright Office for an exemption to the DMCA’s anticircumvention provisions in order to allow noncommercial remix artists, such as vidders, to break DVD encryption for the purpose of obtaining short, high quality clips for inclusion in noncommercial remix videos. The EFF and the OTW, along with New Media Rights, continue to file renewal petitions to keep this exemption active.
The OTW received a request from an Advanced Placement high school student who is conducting a study about the effects of fanfiction and fandom on interpersonal development. To take part in this study, fans can answer a survey about the fandoms they are involved in, the fanfiction they read, and their experiences interacting with other fans. For more information, please visit the survey link above.
This study is being conducted as part of the Advanced Placement Capstone Diploma Program and is being supervised by Stephen Westbrook. Questions about this study can be directed to Stephen Westbrook.
AO3 and the OTW are not endorsing this project, but we are signal-boosting this link for informational purposes.
OTW Tips
International Fanworks Day (IFD) is just around the corner on February 15th! This year’s theme is Alternate Universes (AU), and we’d love to hear from you—what are your favorite AUs, your go-to AU categories, or treasured headcanons? Tag your posts with #IFD2026, and we may signal-boost them on our OTW social media accounts!
P.S. Today (January 28th) is the last day to let us know about any events you’ll be running in your community for this IFD! You can submit your events through this form.
We want your suggestions for the next OTW Signal post! If you know of an essay, video, article, podcast, or news story you think we should know about, send us a link. We are looking for content in all languages! Submitting a link doesn’t guarantee that it will be included in an OTW post, and inclusion of a link doesn’t mean that it is endorsed by the OTW.

of course that's what happened. of course
Open Doors celebrates the completion of 9 (and one more) archive imports in 2025!
Jan. 27th, 2026 07:13 pmOpen Doors is pleased to announce the completion of 9 archive import projects in 2025, plus an additional 5 subcollections, a total of over 34,000 works! We hope that you will find old and new favorites in the collections listed below.
Remembering Tiger Lily Roar
Completed: February 2025
Remembering Tiger Lily Roar is a memorial account for fanfiction written by Tiger Lily Roar, who was active in many fandoms, especially Young Justice. This memorial account was set up with the assistance of Open Doors with permission from Tiger Lily Roar’s family and is maintained by Eva.
Find works at the Remembering Tiger Lily Roar AO3 account.
For more information about the archive and its move to the AO3, see the Remembering Tiger Lily Roar import announcement post. To learn the history of the archive or to share some stories of your own, check out the Tiger Lily Roar Fanlore page.
due South Seekrit Santa
Completed: March 2025
due South Seekrit Santa (dSSS) is an annual gift exchange challenge for fans of due South. The dSSS archive was originally on http://dsss.crocolanthus.com/. After many attempts to communicate with the server admin/owner went unanswered, the crocolanthus dSSS archive went offline, and the domain name was lost. To preserve the archive, the works from the 2004-2009 exchanges were imported to AO3 by Open Doors and dSSS.
Find works at the due South Seekrit Santa AO3 collection.
For more information about the archive and its move to the AO3, see the due South Seekrit Santa import announcement post. To learn the history of the archive or to share some stories of your own, check out the due South Seekrit Santa Fanlore page.
Snow Lands
Completed: April 2025
Snow Lands was a fanfiction and fan comic archive for The Lion King (1994 animated movie) online until June 2023 and was run by Athari. The website hosted works in English and Russian and preserved some of the fandom’s masterpieces.
Find works at the Snow Lands AO3 collection.
For more information about the archive and its move to the AO3, see the Snow Lands’ import announcement post. To learn the history of the archive or to share some stories of your own, check out the Snow Lands Fanlore page.
Slash Advent Calendar
Completed: May 2025
The Slash Advent Calendar was a multifandom slash challenge that ran every December from 2002 to 2005. Founded by kira-nerys at Lady Kardasi Productions, it included works from fandoms such as Star Trek, Harry Potter, The Sentinel, and Buffy the Vampire Slayer. The archive went offline in 2010.
Find works at the Slash Advent Calendar AO3 collection.
For more information about the archive and its move to the AO3, see the Slash Advent Calendar import announcement post. To learn the history of the archive or to share some stories of your own, check out the Slash Advent Calendar Fanlore page.
My Mongoose Ezines
Completed: August 2025
My Mongoose is a Sentinel fanfiction and fanart ezine collection archive. In an effort to consolidate all My Mongoose Ezines, including all stories, art and miscellaneous, the creator and moderators decided to house the works at Archive of our Own.
Find works at the My Mongoose AO3 collection.
For more information about the archive and its move to the AO3, see the My Mongoose import announcement post. To learn the history of the archive or to share some stories of your own, check out the My Mongoose Fanlore page.
Stayka’s Saint Seiya Archive
Completed: October 2025
Stayka’s Saint Seiya Archive was a Saint Seiya fansite that started in 1998. It was an important early contributor to the Saint Seiya fandom, as one of the first sites on the internet to use English, unifying the uniquely global and diverse fan following. The site went offline in 2019, after which Tracy began contacting individual creators and collecting permission to ensure permanent preservation.
Find works at the Stayka’s Saint Seiya Archive collection.
For more information about the archive and its move to the AO3, see the Stayka’s Saint Seiya Archive import announcement post. To learn the history of the archive or to share some stories of your own, check out the Stayka’s Saint Seiya Archive Fanlore page.
Oz Magi
Completed: November 2025
Oz Magi is an annual gift exchange for the HBO Oz fandom that has been active since 2004 on LiveJournal and Dreamwidth. The moderator created an AO3 collection for Oz Magi in 2012, but wanted to also archive the earlier fanworks. This will be an ongoing import, with each year’s fanworks being transferred across to AO3 on behalf of the creators.
The related imports of HBO Oz archives Unit B and Twisted Sisterhood are still in progress.
Find works at the Oz Magi AO3 collection.
For more information about the archive and its move to the AO3, see the Unit B, Twisted Sisterhood and Oz Magi import announcement post. To learn the history of the archive or to share some stories of your own, check out the Oz Magi Fanlore page.
InDeath.net Fan Fiction
Completed: November 2025
InDeath.net Fan Fiction is a fanfiction archive for the In Death book series by Nora Roberts, writing as J.D. Robb. It was a sub-section of the InDeath.net forum community, and the forum had sections for discussing fanfiction posted to the InDeath.net Fan Fiction archive.
Find works at the InDeath.net Fan Fiction AO3 collection.
For more information about the archive and its move to the AO3, see the InDeath.net import announcement post. To learn the history of the archive or to share some stories of your own, check out the InDeath.net Fanlore page.
Absolution – The Inugrrrl Memorial
Completed: December 2025
Inugrrrl was a longtime fan and fanfiction writer of InuYasha and the InuYasha/Kagome pairing. In her own words, she was known for “writing characterization-breaking, smut-filled, angst-riddled, alternate universe pulp fiction without a hint of shame, regret, or apology.” She was active in the fanbase from 2005-2024. Inugrrrl tragically passed away in June of 2024 and her daughter wished for her mother’s fanworks to remain online for the fanbase to enjoy.
Find works written by Inugrrrl at the Absolution – The Inugrrrl Memorial AO3 account, and works gifted to Inugrrrl at the Inugrrrl’s Gifted Fics collection.
For more information about the archive and its move to the AO3, see the Absolution – The Inugrrrl Memorial import announcement post. To learn the history of Inugrrrl or to share some stories of your own, check out the Inugrrrl Fanlore page.
And one more…
In June 2025, Open Doors imported the following subcollections from FictionAlley: AstronomyTower, HPInkPot, Riddikulus, Schnoogle, and TheDarkArts.
Find works at the FictionAlley AO3 collection.
ArtisticAlley is yet to be imported, which means the import of FictionAlley is still ongoing.
For more information about the archive and its move to the AO3, see the FictionAlley import announcement post. To learn the history of the archive or to share some stories of your own, check out the FictionAlley Fanlore page.
We want to give a huge THANK YOU to all of the archivists and volunteers who made these imports possible, as well as all the creators who have transferred or claimed their works! We look forward to importing more archives in 2026.
Commenting on this post will be disabled in 14 days. If you have any questions, concerns, or comments regarding these imports after that date, please contact Open Doors.
About a year ago I moved in with childhood best friend and his husband. We’re all in our mid-thirties. It’s been going great, and I consider the three of us to be fairly close. About a month ago, the husband and I stopped at the local pharmacy on the way home, which is how our … Read More »
The post The Roomies appeared first on Dan Savage.
Have we reached peak poly drama? A queer woman has been open with her male live-in partner, having lots of great sex with him and others. The problem? His cat won’t pay any attention to her. She doesn’t feel jealous of the humans in their lives, but this cat! A widowed 81 year-old woman has … Read More »
The post Ah. The Gardener. appeared first on Dan Savage.
ABOUT THE AUTHOR: Raymond St. Elmo is a programmer of artificial intelligences and virtual realities, who has no time for literary fabrications of fictitious characters and world-building. And yes, that was meant to be ironic.
A degree in Spanish Literature gave him a love of Magic Realism. Programming gave him a job. The job introduced him to artifical intelligence and virtual realities; as close to magic as reality is likely to get outside the covers of a book. And yes, that was meant to be cynical.
The author of several first-person comic-accounts of strange quests for mysterious manuscripts, mysterious girls in cloaks whose face appears SUDDENLY IN THE FLASH OF LIGHTNING. And yes, that was meant to be dramatic.
Publisher: Raymond St. Elmo (January 18, 2026) Page count: 181 pages Formats: ebook, paperback
I'm always looking to see what Raymond St. Elmo creates next. I dig his imagination and playful turn of phrase. Goth the Wanderer is, I think, his shortest book, and it’s pretty unique.
It has a strong Alice in Wonderland vibe. Except, Goth has a long knife, a battle pack, is hard-headed, bossy, brave, and likable. She sets off on a quest to recover her stolen shoe and quickly gathers companions, forming what becomes the Questers of the Shoe. Along the way she’s joined by a conversational wolf, a ghost girl, a candle that talks (mostly in exclamations), and a Very Large Mouse, who is absolutely not a rat. At some point even the shoe thief herself joins the party, which complicates things nicely.
Because it’s short and light on stakes, Goth the Wanderer reads quickly. As expected from the author, the ideas and imagery are vivid and odd, and the tone sits comfortably in cozy-adjacent territory. Don’t expect epic consequences or world-shaking revelations. Do expect wild imagination, whimsical writing, and the pleasure of watching a bossy eleven-year-old charge boldly into the unknown. The story maintains dreamlike wonder with just a hint of menace.
While it works as a standalone, expect nods to the previous Wanderer stories. Night Creep, for example, plays an important role here. The author’s own drawings appear throughout. They're simple, slightly rough, but they suit the book perfectly.
In short, Goth the Wanderer is imaginative, odd, and fun. A bold little quest with strange companions and unlikely places led by a girl who refuses to wait for permission.

and nothing of value was learned
Last November we asked the community to submit questions to our OTW volunteers in celebration of International Volunteer Day. In this series of posts we will spotlight some of our committees’ responses.
The Volunteers & Recruiting committee (VolCom) is in charge of inducting, retiring, and placing volunteers on hiatus. They handle personnel records and tool access, as well as assisting with the formation of new committees, subcommittees, and workgroups.
We asked VolCom for replies to your questions, and received a lot of feedback! Below you can find a selection of their answers:
Volunteers & Recruiting Committee Specific Questions
Question: Sometimes I want to help the OTW, and consider applying for a volunteer position like tag wrangling, but I don’t have a lot of time to commit. Is there anything I can do sporadically, or without a lot of time per week?
Committee answer:
All of our roles come with a weekly time expectation—when we recruit for a role, we post a position description, it’s listed there. For some roles, the time requirement starts at two hours per week, while for others it may be five hours or more. How this time is split up in a week depends a lot on the role.
If you find yourself not having enough time to volunteer, but still want to support the OTW, please take a look at our How You Can Help page.
Question: Since this is a non-profit organization, if I wanted to become a volunteer (for fun and because I care about the work being done here), would I be able to use my time as legitimate service hours? (for highschool for example)
Committee answer:
The OTW is a registered 501(c)(3) non-profit organization in the United States, but whether we are a good fit for legitimate service hours depends on the specific requirements your school/work/etc may have. Our volunteers usually do not volunteer under the name they use at school or at work, but if you are comfortable letting either your Chairs or the Volunteers & Recruiting committee know that name, you can receive a written proof of volunteering. If there are other requirements, e.g. a proof of volunteered hours, we can’t guarantee that this will be possible for all roles. If you are considering this option, please reach out to the relevant committee via the contact form to discuss what’s possible.
Question: Is there a limit to how many times someone can apply to volunteer and be rejected? How many times should you try before giving up? I’ve applied at least five or six times to different groups and I’m wondering if I should stop bothering you!
Committee answer:
We do not have a limit for applications to the OTW in general. However, if you’ve been repeatedly not accepted for a role, chances are that you are not fulfilling the requirements for that role. Additionally, some committees might have their own restrictions (see the recruitment post and/or position description). Please also consider your application quality and whether there are other reasons that might lead to you not being offered a role. You can email us and ask why an application was rejected – it depends on the committee how much feedback they are willing to give, as the goal is not to write the “perfect application”. Our roles differ a lot in the skills required, so keep an eye out for other roles that might be better suited for your skill set!
Question: What types of things can be done by volunteers? I say this as someone who’d love to volunteer at some point in the future, but have no idea if I have any skill that would actually be helpful.
Committee answer:
The skill sets required from our volunteers depend a lot on the role: There are roles that require some kind of formal education or in-depth knowledge of a specific topic, such as being a lawyer or a financial analyst. Other roles, however, are teaching all required skills during the training period, for those roles it mostly depends on being the “type” for the role. For us in VolCom, it’s more of the latter than the former. For example, our volunteers need to enjoy documentation work and ticking off tasks of to-do lists while being able to do work autonomously. There are many roles in the OTW that look for a specific type of person more than a person with a specific set of skills, or the skills are very transferable: Skills such as project management, navigating tricky interpersonal situations, dividing big-picture goals into actionable items, etc. If you keep an eye on our socials and the news posts, you will see us recruiting regularly. Each role comes with a position description that explains both what the volunteers in this role do, and what is required of applicants, so just watch out for a role that matches your skills and interests!
General Questions
How many hours a week do you spend on your OTW volunteer work?
- This tends to vary by week as well as by role! As a tag wrangler I used to spend about 3 hours a week on my fandoms, and though it has required some “pruning” of what fandoms I’m working on, most of mine were currently consistent enough that this is a pretty stable amount of time for me.
For Volunteers & Recruiting, where I serve as both volunteer and co-chair, the time is a lot more fluid. For volunteer-specific tasks I can go between 5-10 hours a week, and for chair work that’s an addition of another 3-5 hours per week. The work done isn’t always in solid chunks of time — I do try to count in the time I have even when I’m just catching up on messages from various other volunteers/committees, but in general that’s where I’ve fallen. (Eevee) - I’m a VolCom volunteer and it depends, but I’m mainly spending around 4 to 5 hours minimum working for my committee. It can go from processing inductions or removals or following up on a specific request we’ve received from an OTW member, which in this case is usually pretty easy, to bigger tasks like running recruitments or reviewing documents. In that last case, I like to take 2 solid hours during every work session to really dive into it. (Kalincka)
How do you manage your volunteer time, and do you do the same thing every day like with a day job?
- I usually block some time on my weekly calendar to get to it! Usually, I do OTW work in the evening, after I’ve come back from my day job. I work an 8-4, and I live fairly close to my workplace, which means that commuting doesn’t eat up too much of my schedule. There are days when I don’t do OTW work, but I always check my emails and Slack multiple times a day to make sure I’m not skipping something urgent. Tasks can vary so even if they’re mainly cases, they vary, so I don’t find it too repetitive! (Kalincka)
- I spend at least fifteen minutes every day on volunteering – keeping up with what’s happening, seeing if there is anything urgent that needs to be dealt with. Usually, that means I look at my emails and our internal chat platform at least three to four times a day. This is mostly the same every day.
I work on cases and on documentation frequently – sometimes that happens spontaneously, sometimes I block time in my personal calendar so I don’t end up making other plans. This is not as regular and scheduled as me keeping track of what’s going on in the organization and my committee, but it usually happens for a few hours every two to three days.
I also have the benefit of having a very flexible daytime job and working a lot from home, which means a lot of my work days consist of me doing an hour of my paid job, an hour of OTW work, three hours of paid job, and so on.There are a lot of recurring tasks or categories of tasks, but it’s still so many different categories of tasks that it’s not getting boring. (corr)
What’s your favorite part about volunteering at the OTW?
- I love meeting other volunteers and learning how the OTW works. I find it super fascinating to learn how such a large organization runs and at the same time meet the people behind the scenes of it all. (Bekyro)
- Getting to work together with so many people from all over the world who care for so many different fandoms. I have gotten to talk to people from so many countries that I would have never met otherwise. I also think that AO3 (and the whole OTW) defies a world in which value and worth are measured in financial units – we don’t get paid, the writers on AO3 and Fanlore don’t get paid, the readers don’t get paid. Being a part of this awesome project makes me proud and happy. (corr)
What’s the aspect of volunteer work with the OTW that you most wish more people knew about?
- We don’t have shareholders or people with financial interests that tell us what to do. We’re all regular fandom people who love fandom and want to maintain a place that’s a home (an archive) to all transformative works. Sometimes, when I browse through discussions about the OTW, I get the feeling that people don’t know that we are not a for-profit company, that we are not making any money, that every wrangled tag, every written news post, every design decision for AO3, every Fanlore policy, all of these things are made by fandom people in their free time. We’re doing this not because we want to earn money with AO3 or the other projects, but because we love fandom and are dedicated to the OTW’s mission. (corr)
- There is a lot more to the OTW than AO3! I encourage people to check out Open Doors and the other projects the OTW is holding up, it’s worth a look. I know I’ve learned so much thanks to Fanlore, and I didn’t even know that it was OTW volunteers that upheld this platform. (Kalincka)
What does a typical day as an OTW volunteer looks like for you?
- There’s one thing that never changes, and it’s checking emails/cases/messages. It’s the foundation of my typical day. The tasks in themselves always vary. As a VolCom volunteer I’m pretty sure I do at least one removal per week. (Kalincka)
- I check my emails and our chat platform multiple times a day to monitor if something urgent comes up – as I get sent an email for every change in our cases, I also keep track of those like that. That’s what I do every day. On days that I do active work, I focus either on documentation, training, or handling cases, and spend one to five hours doing that. (corr)
What is your favorite animal? Alternatively, do you have a favorite breed of cat/dog?
- My favorite animal are sheep! Unfortunately, I don’t own any sheep. My favorite breed of cat is trash can kitty, all of the cats I have are the ones nobody at the shelter wanted, and they are the best cats I’ve ever met (I might be biased). (corr)
- I would have to say birds, especially parrots. I love Sun conures, but cockatiels are definitely high up there too (if they weren’t, my own would probably peck me) (yes, I am very biased). If we include fantasy creatures, dragons are also at the top (Bekyro)
Do you enjoy reading fanfic? If so, what’s your favorite work on AO3?
- I love reading fanfic! It’s the reason I stumbled upon the OTW in the first place. I wouldn’t say I’ve got a single favorite fic in the entire world, but I keep a list. Off the top of my head, and since we’re in an end-of-the-year period, I would heavily recommend reading this Klaus fic (formerly titled ‘In the name of love’). It warms my heart every time (Kalincka)
- I do! While I do not have any favorite fic, as I read depending on my mood, I do have a bunch I keep returning to. I’m scared to check how big my collection of fics I reread has gotten nowadays. (Bekyro)
Do you write any fanfic yourself? What do you enjoy about it?
- I do, even if it’s less than I’d like due to lack of time. I have about 350k words published on AO3 and half a million in drafts, which is what I wrote in the last four years.
I like to get my readers to yell at me. My writer discord is really good at getting upset with me, if I’m not being insulted for hurting their feelings, I didn’t do my job right. I am mostly a character-driven writer, and I like to put my characters into situations or make them face negative consequences. I also love to write healing, but I am decidedly not a fluff writer – the things I write as comfort for myself tend to get comments of people saying that I still hurt them. (corr) - I do, though ironically not as much since I started volunteering for the OTW. I love expanding on the worlds given to us, doing missing scenes, fixing tragedies from canon, or imagining canon-compliant AUs (I promise, these are possible!). (Eevee)
- I do not, to the despair of my fic writing friends. Although I may give it a try sometime if the mood strikes. (Bekyro)
What fandoms are you (currently) in?
- I’ve not been super active in fandom spaces lately, but the last time I was active was in Haikyuu!! and SK8. Recently I’ve fallen into a danmei rabbit hole starting with 2ha but I haven’t read/written much in it. I also read a lot of bl manhwa/manga! (Eevee)
- A few years ago, I read this questionable book series called All For The Game by Nora Sakavic, and I have accepted my fate of living in this fandom. I love-hate the books, I love-hate the fandom, and I have found amazing friends in the fandom. Apart from that, I read a lot fandom-blind, as I am looking for specific kinds of stories or tropes. (corr)
Do you feel glad or proud to see fanfiction in your mother tongue?
- I love that they exist! I think AO3 was one of the first sites where I saw the language I grew up speaking as an option and something about that felt so validating? I don’t read in my native language, but I come across them when translations are requested for tags in my native language and I’m always so excited when they show up. (Eevee)
- While I don’t read any of them myself, I do find it nice knowing they exist. Especially as my native tongue is a smaller one, and it normally tends to drown among the countless bigger languages that exists (Bekyro)
Thanks so much to every volunteer who took the time to answer!
(For more answers, check out this work on AO3, where we collect additional replies to each question!)
Louis, a self proclaimed cuddle-slut, found exactly what he wanted at the Liquid Love event. Hear ALL about it. If you have a SENSUAL tale to tell, scribble it down and send it in to Q@Savage.Love with the subject line: After Action Report. We’ll make you a star!
The post After Action Report #13 appeared first on Dan Savage.
Struggle Session is a bonus column where I respond to comments — just a few — from readers and listeners. I also share a letter that won’t be included in the column and invite my readers to give some advice. There were lots of moving comments about my response to PBO in this week’s Savage … Read More »
The post STRUGGLE SESSION: Double Dippers and No Labels appeared first on Dan Savage.

Cute hanners :3
The OTW is Recruiting for Open Doors Digital Collections Intern
Jan. 22nd, 2026 01:02 amAre you a current or former Digital Humanities or Library and Information Science student? The Organization for Transformative Works is recruiting!
We’re excited to announce the opening of applications for:
- Open Doors Digital Collections Intern – closing 29 January 2026 at 23:59 UTC or after 40 applications
We have included more information on each role below. Open roles and applications will always be available at the volunteering page. If you don’t see a role that fits with your skills and interests now, keep an eye on the listings. We plan to put up new applications every few weeks, and we will also publicize new roles as they become available.
All applications generate a confirmation page and an auto-reply to your e-mail address. We encourage you to read the confirmation page and to whitelist our email address in your e-mail client. If you do not receive the auto-reply within 24 hours, please check your spam filters and then contact us.
If you have questions regarding volunteering for the OTW, check out our Volunteering FAQ.
Open Doors Digital Collections Intern
Open Doors is a committee dedicated to preserving fanworks in their many formats, and we’re looking for a temporary intern to support this goal. The work we do preserves fan history, love, and dedication to fandom: we keep fanworks from offline and at-risk archives from being lost, divert fanzines from the trash, and more.
Open Doors is seeking a current or former Digital Humanities or Library and Information Science student to join us for approximately 8-12 weeks (start date is flexible between 1 April and 1 July 2026). The intern should be able to commit at least 10-15 hours per week for the duration of the position. This internship will provide the intern with a temporary position on Open Doors during which they will complete at least one of several available relevant projects while learning more about the committee’s work. The primary project available is to scope and gather requirements for a digital asset management system for archives/zines. However, time permitting, there may be additional projects available, such as investigating options for automating metadata cleanup.
Applicants should be studying toward (or have completed) a Library and Information Science or related degree (in the US or elsewhere in the world), and they should be fluent in written English. The position will be unpaid and entirely virtual/remote. (We may be able to work with university programs that provide compensation or credit for nonprofit work, but we cannot provide in-person supervision.) We will need your assistance connecting us to any university program that may need documentation to provide credit for you.
The intern might be offered a continuing (unpaid, not for credit) volunteer position upon completion of this internship. However, Open Doors cannot guarantee that completing this internship will result in a continuing volunteer role, and the intern will not be required to accept a continuing role if one is offered.
If you’re interested, please click through to the application form! Please note you will be required to provide an unofficial college/university transcript as well as a resume/CV as part of your application. For your application to be considered, you will be required to complete a short task within 3 days of submitting your application.
Applications are due 29 January 2026 or after 40 applications
Apply for Open Doors Digital Collections Intern at the volunteering page! If you have further questions, please contact us.







