Last week I drove into Atlanta to visit a pagan group that I've known about for a while now and never gotten around to. It's kind of an interesting group; not precisely Celtic Reconstructionist, but it's as close as pagan groups generally go. Anyway, I'm thinking I may go back. Happily for me, I was there for a discussion group, which is of course my natural habitat. We talked about prayer and the pagan theology of prayer.
It always kind of surprises me when people talk about prayer as "too churchy" to be pagan. I think of it as unchurchy, the opposite of church, I guess because I grew up in a Protestant church where there was very little group or common prayer such as you have in Catholic or Episcopal churches. There are periods for silent prayer, and usually a long pastoral prayer to listen to, and fairly often there's a short litany or a few lines alternated between leader and congregation. At best, you recite the Lord's Prayer once all together. But because I didn't grow up with the word "prayer" associated with a whole catalog of formal, set prayers for recitation, I don't particularly think of prayer as a ritual event, but rather something you take time to sit down and do whenever you need or want to -- actually, the mechanism by which you filter the experiences of worship into the rest of your life.
Actually, my interest in set prayers comes out of my paganism, not my Christian background. The whole concept of sacred poetry, filidecht in Irish, is that inspiration is refined and intensified by a relatively rigorous and formal poetic structure. I'm personally a little bit ambivalent about the structural issue: I understand the way that the discipline and practice of it is a whole art of its own, but on the other hand I feel like there's something really inappropriate about being self-consciously archaic with your religion, and that the real usefulness of tradition is as a model, but that what we should be trying to write is excellent poetry, and the modern sense of what "excellent poetry" means is necessarily different than the archaic sense. So anyway, when I write prayers, I try to make them as poetic as possible, but in the more naturalistic style of contemporary poetry. This is either a brilliant merging of old and new, or one of those compromises that negates the entire point of both. I'm not sure.
I'm actually not an excellent poet, nor even a particularly good one. But it's fun, and a learning experience, and I like using the prayers I've written; they're obviously a better expression of my beliefs than something someone else has written might be, and that whole personal element is really helpful to me. When you pray words that you've put time and thought and effort into designing specifically for a particular deity, it reinforces the intimacy of the connection between you.
All disclaimers in place, then, here are a few of my favorite prayers, written at various times between, I believe, the spring of 2000 and now.
( To Nuada )
( To Brighid )
( A Cycle of Prayers for the Household )
( Sun Prayer for the Horse Goddess )
( To Frigg )
It always kind of surprises me when people talk about prayer as "too churchy" to be pagan. I think of it as unchurchy, the opposite of church, I guess because I grew up in a Protestant church where there was very little group or common prayer such as you have in Catholic or Episcopal churches. There are periods for silent prayer, and usually a long pastoral prayer to listen to, and fairly often there's a short litany or a few lines alternated between leader and congregation. At best, you recite the Lord's Prayer once all together. But because I didn't grow up with the word "prayer" associated with a whole catalog of formal, set prayers for recitation, I don't particularly think of prayer as a ritual event, but rather something you take time to sit down and do whenever you need or want to -- actually, the mechanism by which you filter the experiences of worship into the rest of your life.
Actually, my interest in set prayers comes out of my paganism, not my Christian background. The whole concept of sacred poetry, filidecht in Irish, is that inspiration is refined and intensified by a relatively rigorous and formal poetic structure. I'm personally a little bit ambivalent about the structural issue: I understand the way that the discipline and practice of it is a whole art of its own, but on the other hand I feel like there's something really inappropriate about being self-consciously archaic with your religion, and that the real usefulness of tradition is as a model, but that what we should be trying to write is excellent poetry, and the modern sense of what "excellent poetry" means is necessarily different than the archaic sense. So anyway, when I write prayers, I try to make them as poetic as possible, but in the more naturalistic style of contemporary poetry. This is either a brilliant merging of old and new, or one of those compromises that negates the entire point of both. I'm not sure.
I'm actually not an excellent poet, nor even a particularly good one. But it's fun, and a learning experience, and I like using the prayers I've written; they're obviously a better expression of my beliefs than something someone else has written might be, and that whole personal element is really helpful to me. When you pray words that you've put time and thought and effort into designing specifically for a particular deity, it reinforces the intimacy of the connection between you.
All disclaimers in place, then, here are a few of my favorite prayers, written at various times between, I believe, the spring of 2000 and now.
( To Nuada )
( To Brighid )
( A Cycle of Prayers for the Household )
( Sun Prayer for the Horse Goddess )
( To Frigg )