hth: recent b&w photo of Gillian Anderson (Default)
1444 words of due South fic. Don't get used to it or anything.



As He's In It
by Hth


"I hope you understand, Ray," Fraser says, but it sounds futile, like he doesn't hope it and can't even imagine it. Ray almost feels like a dick, but he's not overreacting here, is he? This is not a fucking detail, this is not like, we forgot to tell you that Vecchio ate paint in grade school.

Ray takes a deep breath. They both need to relax, is just what they need to do. He loosens the straps on his shoulder holster and shrugs out of it, tosses the gun on the table between them, which should be some kind of peace gesture, but Fraser leans sharply away from it, like it's going to take up yelling where Ray left off. "I don't understand. The way people understand things is, they receive information, they are, like, told what's going down, and then they say, Aha! Now it becomes clear, now I understand. And then there's me and you."

Fraser turns his head away, but he catches his own face in the two-way mirror and can't look there either, so it's back to the table, and Ray's gun. There's not a lot to look at in an interrogation room. "It's not...you and me."

"You and me! You and me! Then there's you and me! Don't poke my grammar, you wouldn't like my grammar when it's angry, Fraser!"

"No, Ray. It's not you and me. It's me. Just...me." Ray rolls his eyes at that, because what, is he getting dumped here? And didn't even know until this morning that he was getting any.

Although apparently he was. Or Ray Vecchio was.

"No one knew," Fraser continues softly. "No one at all. No one could have told you other than me, and I chose not to, and that's my fault, Ray, no one else's. But you can -- can't you, you can understand why....?"

Ray leans against the wall, suddenly tired. "Yeah. No. I can understand. But it's like -- you're in the loop, you're out of the loop, and then there's, look, in the distance! A loop!" Fraser looks not just puzzled, but kind of pained, as if he's worried that he's caused permanent brain damage to his partner. Ray sighs and rubs his eyes hard, and then harder, and then he spins a chair around backwards and sits across the table from Fraser. "Okay," he says. "So loop me in."

"I -- what?" Fraser says hoarsely.

Ray gestures rapidly, and Fraser's eyes go immediately back to the gun, so Ray sits on his hands to prove his lack of murderous intent and says, "Just tell me. I mean -- tell me what I should know."

"Nobody knew," Fraser says.

"Vecchio did," Ray says.

For a second, Fraser looks lost, like he's disappeared from inside the serge and nobody's noticed yet. And then he gets that square, stubborn expression on his face and he says, "You're asking about something that was very personal to me, Ray."

"No shit, well, I'm apparently someone who's sucked your cock in the past, so you and me, we're ten kinds of personal with each other, aren't we?" He's sorry after he says it, but he's not, I mean he is but he's not.

He won't take this; Fraser knows his rights. He stands up and says, really calm but sort of thunderous, like the voice of God, "No, Ray, as a matter of fact you have not."

"Look, look, look," Ray says, waving his hands in front of him, and it comes out impatient but he means it as an apology, and maybe Fraser takes it that way, because he sits back down. "I know this sucks," Ray says. "I'm not mad at you, okay? Just, it's time now. Tell me the whole story."

Fraser sort of pales at that, and he says something really fast and kind of mumbly, which is like, where did Fraser even learn how to mumble, anyway? Something mubmly, but Ray catches "extremely inappropriate," and he answers back real quick, "I don't need the gory details, okay? Just give me something to hang my hat on."

"Hat," Fraser repeats blankly.

"Something, Fraser, give me something, here! I got nothing to stand on! Tell me-- " Did you fuck him, did he kiss you, did he like it, did you love him? How did it start, what was it like, did he make you laugh, did you lie for him? Did you take your clothes off? Did he crack you open, did you let him see you? "Tell me what side of the bed you slept on," is what falls out of his mouth.

Fraser blinks. "What side of the bed?"

"Yeah, yeah. I mean, you did sleep -- it was a bed -- there were beds, right? This wasn't fuck and run-- " pretending not to notice the way Fraser flinches upward, chooses the nothing on the ceiling to look at rather than the God knows what on Ray's face, " -- you were partners. You.... In beds. Right?"

"Yes," Fraser says quietly. "Sometimes in beds."

"Right or left?"

"I'm not quite sure."

And that's it, he can't take it anymore. Ray doesn't manage to knock the chair over when he jumps up, so he has to pick it up with his hands and bang it into the floor and kick it across the room. Fraser bends his head down and folds his hands over the back of his neck. "You're full of shit, Fraser, you're full of shit. People don't switch sides of the fucking bed, they have a side! Did you sleep on the right side of the bed or the left side of the fucking bed?"

"I don't know!" Fraser says without looking up, so that Ray can't tell if the wildness in his voice is anger or sadness or -- or whatever you call that, that thing that you feel when your wife leaves you and you're completely alone and blaming yourself and hating what you grew up to be and too stupid to stop thinking maybe it's all a misunderstanding and it'll be back to normal any minute now. That thing. What do you call that? "From whose perspective?"

"Huh?" Ray says. He's kind of forgotten the question.

"The right or left side as a person comes into the room, looking at the bed, or as he's in it? I never really knew -- when people say the right side of the bed, I was never entirely sure from whose point of view...." He raises his head, and there's more stuff there on his face that Ray doesn't have any words for. "People say -- and I don't know how I'm supposed to-- "

"No, it's okay, Fraser," Ray says. "Forget the bed. It doesn't matter."

"I am trying to answer your questions, Ray. I want to answer you, but I don't know how to talk about -- I don't know how to do these things. I don't know how to do this."

"You were right, Frase, okay? I don't need to know, it's none of my business."

"It is," Fraser insists. "Your business is precisely what it is now."

"Yeah, well. I'm in a shitty business, some days. Let's just, uh. Punch each other in the head a few times, and when we're all out of short-term memory, we can say the whole day didn't happen and get some dinner." He scoops his gun and holster off the table, and Fraser doesn't blink, just keeps staring vacantly somewhere around Ray's thigh. He recovers pretty soon, though, and he stands up and adjusts his lanyard, ready to face the world again. Part of Ray can't believe Fraser ever had a secret in his life that he could keep, and part of him doesn't know if he knows anything about this man at all.

Later that night he squirms out of his shoulder holster while Fraser is holding his face, kissing him over and over, and he pitches the whole thing, gun and all, over onto the coffee table, and it hits with a loud noise -- either he's chipped the finish on his coffee table or the gun's gone off and he's blown a hole downstairs into 415, and he doesn't care, it doesn't matter which. He pulls Fraser's hands away from his face, presses them to his ribs and wraps his arms around Fraser's neck. He didn't think anyone could kiss harder than Fraser, but turns out someone could, and it's Ray. "Yeah, yeah, yeah," he says incoherently into Fraser's mouth. "Show me, show me...."

He doesn't know if he knows anything about himself at all.
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Date: 2004-10-05 10:04 am (UTC)From: [identity profile] caseylane.livejournal.com
This was great. I loved how it was angry and hurt and the ending was just filled with hunger and confusion.

Date: 2004-10-05 04:29 pm (UTC)From: [identity profile] mrs-tilford.livejournal.com
Love your icon - oh yeah!

(no subject)

From: [identity profile] hth-the-first.livejournal.com - Date: 2004-10-06 05:53 am (UTC) - Expand

Date: 2004-10-05 10:19 am (UTC)From: [identity profile] cesperanza.livejournal.com
I might just keep feedbacking intermittantly throughout the day. Because I keep coming back to reread it and going "Eeeee!" and you might as well know that. *g*

Date: 2004-10-06 05:51 am (UTC)From: [identity profile] hth-the-first.livejournal.com
It's five o'clock -- do you know where your fans are? *g*

Date: 2004-10-05 10:50 am (UTC)From: [identity profile] vickita.livejournal.com
ext_8753: (Default)
"Show me, show me...."

You killed me. I was too young to die, but what a way to go. *g*

Date: 2004-10-05 09:32 pm (UTC)From: [identity profile] hth-the-first.livejournal.com
We will remember you fondly! *g* And I'm glad you liked it! Err, I think death is a good sign, under these cirumstances. You know what, if not, just don't let me know. *g*

Date: 2004-10-05 11:01 am (UTC)From: [identity profile] abelladonna.livejournal.com
My god... ::falls over and makes a fangirl squee noise::

This is... heartbreaking and sad and angry and hurt and... and, just oh so perfect! All the little details- the holster, the side of the bed, the rage just under the surface of Ray that all spills over into this perfectly pointless but intense argument about the bed...

::rereads and wants to cry and scream with joy at the same time::

It's just so Ray and Fraser! Ray, not wanting to ask/talk about what he really needs, and Fraser, getting hung up on the idiot little details because he doesn't know how else to react...

And this: "Something, Fraser, give me something, here! I got nothing to stand on! Tell me-- " Did you fuck him, did he kiss you, did he like it, did you love him? How did it start, what was it like, did he make you laugh, did you lie for him? Did you take your clothes off? Did he crack you open, did you let him see you? "Tell me what side of the bed you slept on," is what falls out of his mouth.

Oh god... that is Ray down to a T, right there. Afraid and angry and hurting, and not wanting to back down, even though he can't bring himself to ask what he really needs to know.

Would it be completely wrong of me to beg you to write more DS? ::flutters eyelashes at you::

Date: 2004-10-05 09:30 pm (UTC)From: [identity profile] hth-the-first.livejournal.com
Thank you! I'm glad you liked it! I'm especially glad you liked that paragraph you quoted: it took me about twenty minutes to write it, and about another twenty to write the entire rest of the story, which seems a little fucked up, but it was a key paragraph, what can I say? Anyway, after all that, I'm *definitely* glad you liked that part *g*

I will write more dS, I promise. I'm really busy right now with school and work and all that, but I'm going to try to sneak in a couple more short fics at the very least. Thanks again!

Date: 2004-10-05 11:19 am (UTC)From: [personal profile] sage
sage: Still of Natasha Romanova from Iron Man 2 (Default)
Amazing. So very amazing. Please write more!

Date: 2004-10-05 09:25 pm (UTC)From: [identity profile] hth-the-first.livejournal.com
Thank you! I'm pretty low on the free time right now, but I am having a minor dS renaissance, so I'm looking forward to whenever I'm next able to sit down and write more. It's nice to know that someone else is looking forward to it, too *g*

Date: 2004-10-05 11:43 am (UTC)From: [identity profile] katyabaturinsky.livejournal.com
Clearly you've got some freakish kind of channeling thing going on here. Because that's just so them. Only better. Them on steroids, them on crack, them to the nth degree. First I think, "okay, that's it, no-one is ever going to write anything in DS as gorgeous and gut-wrenching as Happily Ever After." Then you come out with Ghosti, and I'm just...incoherent with awe. (As per my long-neglected recs page: Note to self: want to know how to write RayK's POV? Read "Ghosti." Over and over and over.) And now this? God in heaven. People wonder why I gush on about the phenomenal writers in DS. Thank you for proving my point to a ridiculous degree.

Date: 2004-10-05 09:24 pm (UTC)From: [identity profile] hth-the-first.livejournal.com
Wow, girl! I'm all flustered and speechless now. It sounds bland to say I'm glad you enjoyed it, but I really am made very, very happy to hear you say how much you get out of my work; it really just makes my week. Thanks for taking the time to tell me this!

Date: 2004-10-05 11:47 am (UTC)From: [identity profile] resonant8.livejournal.com
Mm. Lovely. All the stupid things they say when they can't say the important thing.

And I loved the holster and the lanyard. DS costuming is rather heavy on the straps and buckles and nonsexual restraints, isn't it?

Date: 2004-10-05 09:22 pm (UTC)From: [identity profile] hth-the-first.livejournal.com
Goes along with the textual preoccupation with the constraints of authority? Authority's role in limiting threatening behavior, such as criminal behavior but also often in limiting expression and restricting identity to solely the role of the office?

Or maybe someone on the production staff is just a perv.

Anyway, glad you liked the story!

Date: 2004-10-05 12:02 pm (UTC)From: [identity profile] pearl-o.livejournal.com
Oh, man, I liked this very very much.

Date: 2004-10-05 09:19 pm (UTC)From: [identity profile] hth-the-first.livejournal.com
Cool! That's exactly what I like to hear *g*

Date: 2004-10-05 12:17 pm (UTC)From: [identity profile] krystalshay.livejournal.com
Wow, brilliant fic to find on my f'list this morning. Thank you for posting, I really enjoyed the raw emotion in this.

Date: 2004-10-05 09:17 pm (UTC)From: [identity profile] hth-the-first.livejournal.com
Thank you! I'm glad it was an auspicious beginning to your day! *g*

Date: 2004-10-05 12:52 pm (UTC)From: [identity profile] sprat.livejournal.com
This, this is stupifyingly lovely. Tight and spare but just loaded with meaning... And the way they live in these, like, parallel realities in their heads! And the bit with the gun! Hot damn. This made my day. :)

Date: 2004-10-05 09:16 pm (UTC)From: [identity profile] hth-the-first.livejournal.com
Thank you! This one did turn out surprisingly weighty, given how short it is -- the kind of story that ends up suggesting a lot more questions than it answers. I'm glad it made you smile!

Date: 2004-10-05 02:34 pm (UTC)From: [personal profile] china_shop
china_shop: Close-up of Zhao Yunlan grinning (Default)
Wow. Fantastic dialogue! And the intensity! Wow. Just amazing. Thank you!

Date: 2004-10-05 09:13 pm (UTC)From: [identity profile] hth-the-first.livejournal.com
Thanks! Very glad you liked it!

Thank you!

Date: 2004-10-05 03:16 pm (UTC)From: [identity profile] laurashapiro.livejournal.com
Because this -- this -- is the universe I see in my head, where Fraser and RayV had something dark and private and painful and passionate, and then RayK showed up, and eventually Fraser and RayK had something passionate and screwed-up and painful and ultimately (I think?) possibly workable, but in between...they don't know how to *talk* to each other. Like Ces said, the bed thing as a distraction, all the rage and frustration around that distraction being the real stuff.

Gah. Incoherent now.

I've missed your DS stories. Thank you so much for this one.

Re: Thank you!

Date: 2004-10-05 09:10 pm (UTC)From: [identity profile] hth-the-first.livejournal.com
You should write that story! *g* I definitely feel like there's so much here to get into, and I certainly don't have the time to take it on. And yeah, I think that's an endlessly fascinating dynamic -- what if you're coming in to replace not someone's working partner but their lover, and what if it's someone you're attracted to also?

Thanks for dropping me a line! Glad you liked it.

Re: Thank you!

From: [identity profile] laurashapiro.livejournal.com - Date: 2004-10-06 09:45 am (UTC) - Expand

Re: Thank you!

From: [identity profile] hth-the-first.livejournal.com - Date: 2004-10-09 09:29 am (UTC) - Expand

Re: Thank you!

From: [identity profile] laurashapiro.livejournal.com - Date: 2004-10-09 12:22 pm (UTC) - Expand

Date: 2004-10-05 03:39 pm (UTC)From: [personal profile] brynwulf
brynwulf: (Default)
This is being recc'd all over LJ-land and so, even though at work, had to see what all the commotion is about.

Fuck me walking, girl! This is so what I needed to get my head back in dS space.

I remember when I first got into dS over on some list (circa 1998) whose name I can't even remember now and you were there writing this Fraser like nobody else could even *conceive* of writing Fraser. You could always see it.

Date: 2004-10-05 09:04 pm (UTC)From: [identity profile] hth-the-first.livejournal.com
Thank you so much! He's a great character to write -- all those layers, all those secrets. And I hope you do zero back in on dS -- I'm kind of in this process right now of remembering how wonderfully good it was, why I liked it so much. There's a lot to like!

Date: 2004-10-05 04:48 pm (UTC)From: [identity profile] elmyraemilie.livejournal.com
goddamn. You are just so good. Writing one thing on paper in order to make us all understand something else entirely. Their voices, their reactions, their everything right down to the damn lanyard. But the best, the very best for me is

Did he crack you open, did you let him see you?

That's poetry.

::stands in awe::

Date: 2004-10-05 08:56 pm (UTC)From: [identity profile] hth-the-first.livejournal.com
Thank you! I go back and I read my older fic, and it's so *right out there.* I have no idea when or how I learned subtlety, but I really enjoy that job now, trying to say what you're saying without saying it. I'm glad you liked the story.

Date: 2004-10-05 05:27 pm (UTC)From: [identity profile] threequarters.livejournal.com
Guh. This was just *amazing*. The dialogue, the characters, everything was just spot on. And the raw ache of it all. Now I just want to read this over and over and not study for me exam. Really beautiful and sharp. I'm sorry I'm not more coherent, I'm afraid you've broken me. Thank you.

Date: 2004-10-05 08:53 pm (UTC)From: [identity profile] hth-the-first.livejournal.com
Well, since I mainly wrote it to avoid doing my own homework, there's something quite appropriate about that! Anyway, I'm glad you liked it!

Date: 2004-10-06 09:25 am (UTC)From: [identity profile] buddleia.livejournal.com
I was so happy to see your earlier stuff reposted in this lj and I am even happier to see this. Your detail is beautiful, as ever, and that is what always kills me. In a nice way.

Date: 2004-10-09 09:29 am (UTC)From: [identity profile] hth-the-first.livejournal.com
Thank you! I'm having kind of dS renaissance. We'll see how it goes.

Date: 2004-10-06 03:09 pm (UTC)From: [identity profile] halimede.livejournal.com
I saw this this morning, and for some reason I'm just now, five past midnight, reading it. It's amazing and wonderful and gorgeous and fantastic, and it reminded me so strongly of Takeshi Kitano's movies. I could see this one scene from Hana Bi (the one at the seaside) so clearly in my mind. Pretty fucking amazing when writing evokes not just film, but very strongly visual Takeshi Kitano stuff for me. Amazing.

Date: 2004-10-09 09:01 am (UTC)From: [identity profile] hth-the-first.livejournal.com
Interesting! Maybe I should try to track some of those movies down. It's always such a challenge to stay visual when you're writing a scene that involves two people in one room talking back and forth -- not impossible, just much harder work. So I'm glad you appreciated the payoff! Thank you.

Date: 2004-10-06 11:05 pm (UTC)From: [personal profile] celli
celli: a woman and a man holding hands, captioned "i treasure" (Default)
I love this. And what a fantastic last line.

Date: 2004-10-09 08:59 am (UTC)From: [identity profile] hth-the-first.livejournal.com
Thank you!

Date: 2006-05-16 06:01 am (UTC)From: [identity profile] brooklinegirl.livejournal.com
again with the ridiculously late feedback, but this is a fic I read again and again, because Fraser breaks my fucking heart, and because this moment:

Later that night he squirms out of his shoulder holster while Fraser is holding his face, kissing him over and over, and he pitches the whole thing, gun and all, over onto the coffee table, and it hits with a loud noise -- either he's chipped the finish on his coffee table or the gun's gone off and he's blown a hole downstairs into 415, and he doesn't care, it doesn't matter which. He pulls Fraser's hands away from his face, presses them to his ribs and wraps his arms around Fraser's neck. He didn't think anyone could kiss harder than Fraser, but turns out someone could, and it's Ray. "Yeah, yeah, yeah," he says incoherently into Fraser's mouth. "Show me, show me...."

He doesn't know if he knows anything about himself at all.


Is one of my all-time favorites. You write them so well, and this fic kills me every time I read it.

Date: 2006-07-13 09:04 pm (UTC)From: [personal profile] starfishchick
starfishchick: (Default)
This is fantastic and HARD and the side of the bed thing just destroys me. Oh Fraser. And oh Ray.

Date: 2006-09-16 04:37 pm (UTC)From: [identity profile] raveninthewind.livejournal.com
So, I rec'd this in my lj and here:
http://community.livejournal.com/crack_van/2147894.html

I took a stab at a rating becasue Crack Van wants one, but if you disagree with my choice, I can change it.

Date: 2006-09-16 06:35 pm (UTC)From: [identity profile] troyswann.livejournal.com
Here I am, wandered over from [livejournal.com profile] crack_van and oh man alive and jumpin' jimminy crickets I'm in love with this story. I love the tension and Ray's confusion (and the chair that won't fall over so he has to kick it) and although I've only seen S1 (and a couple RayK eps), I can see this Ray, hear him so clearly, and now, of course, this is going to be how I'm going to go into his episodes.

I'm also sad that we're not allowed to get used to this. I could get used to this. Really. *is already used to it*

Date: 2006-09-21 12:50 pm (UTC)From: [identity profile] lucifercircle.livejournal.com
Oh poor Fraser, I'm glad he gets a bit of happiness at the end.

Date: 2007-03-28 03:30 pm (UTC)From: [identity profile] spuffyduds.livejournal.com
Oh my GOD. The grammar and the loop and the "what do you call that?" and the voice-of-God "as a matter of fact you have NOT" and the REPRESSED HOT and oh my GOD. ::wibbles incoherently::

Date: 2007-04-04 05:52 am (UTC)From: [identity profile] hth-the-first.livejournal.com
Thank you! What is dS about if not Fraser's INCREDIBLE REPRESSED HOT? *g*

10 the most interesting things that you can get free

Date: 2007-06-09 11:44 am (UTC)From: (Anonymous)
MESSAGE
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