Warning labels aren't one of the things I get all exercised about, every six months when they become an Issue again in fandom. There are certain subjects I'm totally willing to revisit over and over again for the rest of my life, but that isn't really one of them, basically because it's become blindingly obvious to me that no solution will ever make everyone happy, and such is life.
However, just this one time, I want to say this.
As much as you, gentle reader, may hate accidentally reading a story that upsets or disturbs you in some way -- and I get that you hate it, I hear that -- that is exactly how much I hate being told before I even start the damn story that everything turns out all right in the end. I fucking *hate* that, because if the story is even remotely well-crafted, there was a perfectly good chance that I would undergo some amount of suspense and excitement while reading it, but not anymore. I hate it when people do it in the notes to their own stories, I hate it when people do it in recs, and I *really* hate it when people do it to my stories. I also don't want to be told that everything *doesn't* turn out all right in the end -- if I get warned for character death, I goddamn well want it to happen in the first three paragraphs, otherwise I consider it a spoiler.
Isn't it weird how fandom gets so freaky intense about protecting people from spoilers in canon (don't say it was a funny one! Don't say Ladon's going to be in it! Warn people if your story gives away the color of Rodney's cat as revealed last week!), and yet is totally blase about giving away the ending of fanfic before anyone has a chance to read it and think, even for a moment, Wow, I wonder how this is going to work out?
You see what I'm saying about the no-win situation? If you don't warn for unpleasantness, you'll piss off all those other people. If you do warn by giving away the ending, you'll piss me off. Warning labels are a fandom dead-end. Everything you do is wrong, so you just have to pick your poison.
I think of labeling and recs and that kind of thing as serving a function similar to movie trailers. I know what kind of stuff I like, and if someone's written that kind of thing, I want to know about it, and I also want to know what I'm probably not going to be into enough to spend my time on it. This is a sketchy proposition at best -- how many movies have you wasted your time on because the trailer looked really awesome, and yet, no? But, for example, take The Departed, which I saw not too long ago. I knew it was a Scorcese flick, and I know not only that I love him, but what kind of stories he's generally drawn to, so that helped. I also saw a bunch of commercials, which told me it was some kind of a gangster movie, which I took to mean it would probably be violent. I read a couple of reviews, wherein I was told that it was kind of a psychological thriller about the parallel lives of a gangster undercover with the cops and a cop undercover with gangster, and that the reviewers in question liked it. This is the kind of thing I want to know. I do not, under any circumstances, want to know the body count. I don't want to know that. I want to be aware that, given the setting, the plot, and the people involved, there could well be one, and then I want to watch the freaking movie. Equivalently, I don't mind vague warnings for "darkness" or "adult content" or whatever; that's fine to know, that helps me know the mood and milieu to expect. But then let me *read the story* to find out if it's the everybody-dies kind of darkness or the wow-close-call! kind.
Anyway. Like I said, I think it's just a decision that everyone who writes or recs has to make, knowing that they're helping some of their potential readers enjoy the story more and causing some of their potential readers to enjoy it less. You just make the call and then get on with your life.
However, just this one time, I want to say this.
As much as you, gentle reader, may hate accidentally reading a story that upsets or disturbs you in some way -- and I get that you hate it, I hear that -- that is exactly how much I hate being told before I even start the damn story that everything turns out all right in the end. I fucking *hate* that, because if the story is even remotely well-crafted, there was a perfectly good chance that I would undergo some amount of suspense and excitement while reading it, but not anymore. I hate it when people do it in the notes to their own stories, I hate it when people do it in recs, and I *really* hate it when people do it to my stories. I also don't want to be told that everything *doesn't* turn out all right in the end -- if I get warned for character death, I goddamn well want it to happen in the first three paragraphs, otherwise I consider it a spoiler.
Isn't it weird how fandom gets so freaky intense about protecting people from spoilers in canon (don't say it was a funny one! Don't say Ladon's going to be in it! Warn people if your story gives away the color of Rodney's cat as revealed last week!), and yet is totally blase about giving away the ending of fanfic before anyone has a chance to read it and think, even for a moment, Wow, I wonder how this is going to work out?
You see what I'm saying about the no-win situation? If you don't warn for unpleasantness, you'll piss off all those other people. If you do warn by giving away the ending, you'll piss me off. Warning labels are a fandom dead-end. Everything you do is wrong, so you just have to pick your poison.
I think of labeling and recs and that kind of thing as serving a function similar to movie trailers. I know what kind of stuff I like, and if someone's written that kind of thing, I want to know about it, and I also want to know what I'm probably not going to be into enough to spend my time on it. This is a sketchy proposition at best -- how many movies have you wasted your time on because the trailer looked really awesome, and yet, no? But, for example, take The Departed, which I saw not too long ago. I knew it was a Scorcese flick, and I know not only that I love him, but what kind of stories he's generally drawn to, so that helped. I also saw a bunch of commercials, which told me it was some kind of a gangster movie, which I took to mean it would probably be violent. I read a couple of reviews, wherein I was told that it was kind of a psychological thriller about the parallel lives of a gangster undercover with the cops and a cop undercover with gangster, and that the reviewers in question liked it. This is the kind of thing I want to know. I do not, under any circumstances, want to know the body count. I don't want to know that. I want to be aware that, given the setting, the plot, and the people involved, there could well be one, and then I want to watch the freaking movie. Equivalently, I don't mind vague warnings for "darkness" or "adult content" or whatever; that's fine to know, that helps me know the mood and milieu to expect. But then let me *read the story* to find out if it's the everybody-dies kind of darkness or the wow-close-call! kind.
Anyway. Like I said, I think it's just a decision that everyone who writes or recs has to make, knowing that they're helping some of their potential readers enjoy the story more and causing some of their potential readers to enjoy it less. You just make the call and then get on with your life.
no subject
Date: 2007-01-05 05:30 am (UTC)From:It's things like sexual abuse and violence that causes the problems to my mind, and the fact that the Net is open to so many people who don't fully comprehend its vastness or what they might encounter as much as they do with other more familiar forms of media. They're the ones who hurt themselves and often in retaliation, try to blame it on other people. Thus, I think it's worth keeping in mind that when it comes down to it, fanfic writers don't have a union or a corporation with any sort of stake in their product that can act as intermediary or protective agency. In general, they're just a loosely grouped band of individuals, so any way that one can cover one's own back, I think, isn't necessarily a bad idea.
no subject
Date: 2007-01-05 08:09 am (UTC)From:Another way to do this is through subgenre labels. If I say, "This is a darkfic story," then the reader who knows fandom terminology is going to be very naive indeed if they're surprised that one my characters gets hauled off into captivity at some point. It's like saying, "This is a horror film," or "This is a thriller." People have a general idea of what to expect.
I agree with you that warning labels encourage freedom of speech. In five years of writing gen & slash darkfic, I've never once received a letter from an annoyed reader. I'm sure this is partly because I carefully label my story announcements and my Websites - but do so in such a way that readers who don't like warnings can skip them.
no subject
Date: 2007-01-08 10:56 am (UTC)From:Anyway.
I can understand complaining if fic isn't labelled at all(*), but if there's a generic "Rated NC17(**) for disturbing content" warning then how can people get up in arms that the content is disturbing in some particular way? I can see the point of generic warnings, since presumably you really could have kids after G rated gen stumbling across it by accident, at least in some settings.
(*)Though books don't get such ratings. For example, when I was 12 asked my mum for "something long to read while I'm sick" and got possibly the most pornographic book I've ever read (though that may be a trick of memory).
(**)Or whatever. The equivalent rating here is called "R" which is probably why I never hit anything remotely disturbing. I get the feeling the american PG is much stricter than the australian.