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I think I'll quote somebody out of context, because that's always worked really well for me in the past.
Saying "black characters are written too broadly in New Who, making them resemble stereotypes" rather ignores the fact that white characters are treated the same way.
Look. This is the problem with trying to raise white people on Sesame Street in order to cure racism: you get a generation of white people who think it's to their credit that they hold everyone to the same standard, and run around operating like the world is one big, happy block party -- people who think they're complementing themselves when they say they're "colorblind."
BLIND is not a moral positive. BLIND is an inability to perceive what the non-blind people around you can clearly fucking see. My grandfather was red/green colorblind. His family also had a strawberry farm. His father used to beat him for not obeying instructions to pick only the RED strawberries and leave the GREEN ones on the bush.
Now, I'm not recommending regular beatings for the colorblind. That wasn't a nice thing to do (my great-grandfather was not a nice person in general, for oh so many reasons). But the thing is, my grandfather's colorblindness? Was a problem, because there is actually such a thing as color when it comes to strawberries, and it's easier to work on a strawberry farm when you can see it.
And there is actually such a thing as race. If you can't see it, you're not doing yourself or anyone else any favors. There are cases where you can give the EXACT SAME script/character arc/iconography/etc. to a white performer and to a performer of color, and the overall effect WILL BE DIFFERENT. Race is real. People respond to it, often on levels they aren't entirely aware of. So it actually misses the whole entire point of discussing race and racism if your sole defense is "but we're just treating them the exact same way we treat white characters!" It may be true, or it may not be true, but either way it's singularly useless.
Some fans seem to find gender easier to understand than race, so think of it this way: if there's a character that isn't very bright but always uses sexuality to manipulate other people, does it make a difference if that character is a man or a woman? Isn't it more of a stereotype in one case than in the other? And if some writer or producer said, "Oh, it's not sexist -- this is just what we were going to do, and we thought we might hire a male actor, but we went with a woman instead, so we kept the same stuff!" that doesn't magically make her not a sexist cliche, does it? If they'd cast a man, the character would read one way; when they do cast a woman, it reads differently. Same character. Different, because of the baggage we bring surrounding gender. If you were somehow magically oblivious to any and all gender issues, you might not notice that. But you wouldn't thereby be a better person than the rest of us. You'd just be oblivious.
Unfortunately, in our culture, we are conditioned to see white people as Real People, and black people as sort of thin slices of people, operating in one of a very few available modes and with only a very few emotions and interests. Therefore it's just different to write a white character "broadly" versus a black character. It's not enough to write the black character "just like" all your white characters, because race is not invisible to most of us and it doesn't have no consequences. In order to challenge people's already racist assumptions about black characters, writers have to work that much harder, and they have to work not blind. They have to work with their eyes open and their brains engaged and with the awareness of subtle signals and context and connotation that anyone who writes for a living should damn well be conversant with. To do less than that is to write lazily, to write foolishly, to write contemptuously of one's characters and one's craft, and to do all that because you can't or won't go the extra mile to bring race into the universe of stuff that factors into your writing does, in fact, have racist implications.
"Colorblindness" may be one's reason for making all of those mistakes, but it isn't an excuse, and it doesn't magically make the product impervious from criticism. Be less blind.
Saying "black characters are written too broadly in New Who, making them resemble stereotypes" rather ignores the fact that white characters are treated the same way.
Look. This is the problem with trying to raise white people on Sesame Street in order to cure racism: you get a generation of white people who think it's to their credit that they hold everyone to the same standard, and run around operating like the world is one big, happy block party -- people who think they're complementing themselves when they say they're "colorblind."
BLIND is not a moral positive. BLIND is an inability to perceive what the non-blind people around you can clearly fucking see. My grandfather was red/green colorblind. His family also had a strawberry farm. His father used to beat him for not obeying instructions to pick only the RED strawberries and leave the GREEN ones on the bush.
Now, I'm not recommending regular beatings for the colorblind. That wasn't a nice thing to do (my great-grandfather was not a nice person in general, for oh so many reasons). But the thing is, my grandfather's colorblindness? Was a problem, because there is actually such a thing as color when it comes to strawberries, and it's easier to work on a strawberry farm when you can see it.
And there is actually such a thing as race. If you can't see it, you're not doing yourself or anyone else any favors. There are cases where you can give the EXACT SAME script/character arc/iconography/etc. to a white performer and to a performer of color, and the overall effect WILL BE DIFFERENT. Race is real. People respond to it, often on levels they aren't entirely aware of. So it actually misses the whole entire point of discussing race and racism if your sole defense is "but we're just treating them the exact same way we treat white characters!" It may be true, or it may not be true, but either way it's singularly useless.
Some fans seem to find gender easier to understand than race, so think of it this way: if there's a character that isn't very bright but always uses sexuality to manipulate other people, does it make a difference if that character is a man or a woman? Isn't it more of a stereotype in one case than in the other? And if some writer or producer said, "Oh, it's not sexist -- this is just what we were going to do, and we thought we might hire a male actor, but we went with a woman instead, so we kept the same stuff!" that doesn't magically make her not a sexist cliche, does it? If they'd cast a man, the character would read one way; when they do cast a woman, it reads differently. Same character. Different, because of the baggage we bring surrounding gender. If you were somehow magically oblivious to any and all gender issues, you might not notice that. But you wouldn't thereby be a better person than the rest of us. You'd just be oblivious.
Unfortunately, in our culture, we are conditioned to see white people as Real People, and black people as sort of thin slices of people, operating in one of a very few available modes and with only a very few emotions and interests. Therefore it's just different to write a white character "broadly" versus a black character. It's not enough to write the black character "just like" all your white characters, because race is not invisible to most of us and it doesn't have no consequences. In order to challenge people's already racist assumptions about black characters, writers have to work that much harder, and they have to work not blind. They have to work with their eyes open and their brains engaged and with the awareness of subtle signals and context and connotation that anyone who writes for a living should damn well be conversant with. To do less than that is to write lazily, to write foolishly, to write contemptuously of one's characters and one's craft, and to do all that because you can't or won't go the extra mile to bring race into the universe of stuff that factors into your writing does, in fact, have racist implications.
"Colorblindness" may be one's reason for making all of those mistakes, but it isn't an excuse, and it doesn't magically make the product impervious from criticism. Be less blind.
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no subject
Date: 2007-07-15 03:16 am (UTC)From:Their people and cultures can survive in a small number, but since their cultures are purposely pushed out of the way in American life it is harder to get word out about their plight here. I don't say it's right, but that is likely the reason for the lack of action and/or concern from most Americans. That is what I was trying to make clear. It's sad, but most Americans are not sensitive to issues that aren't reported by the major news media or personally encountered by them.
no subject
Date: 2007-07-15 03:39 am (UTC)From:I think that might be true everywhere.
It must be so frustrating to be an Indigenous person where nobody recognises or understands your culture (which also happen here). Or frustrating for everyone who wants justice.
It's something we discussed quite a bit at work, comparing Indigenous issues between different political systems across the world. I keep meaning to look up how things work in the US, but I get so busy with other things :(
no subject
Date: 2007-07-15 02:56 pm (UTC)From:These issues - at least in my part of the US - are constant fodder for politics, news, and debate. But I am not surprised that internationally they don't flag as what they are. They sound like local government. Which, they also are, with all the pettyness and soap opera qualities one ought to expect!
Also - as a result of a variety of influences, right now - and again I'm speaking mostly from my part of the US - many Native American people are *extremely* wary or even outright opposed to sharing much of their remaining culture with outsiders, despite being the minority group most likely to marry outside their own.
Many elders choose silence, actively and consiously, when dealing with the outside world.
no subject
Date: 2007-07-15 03:27 pm (UTC)From:In our part of the US, the few stories are about burial grounds and the legislation protecting them when a construction company finds one on the property they want to build on.
no subject
Date: 2007-07-15 07:05 pm (UTC)From:Which is part of my frustration when even local people -who should know better!- dismiss Native-Americans as a 'mostly-deal' people, safe to regret sadly.
There is a native-run casino right in the middle of our downtown!!
no subject
Date: 2007-07-19 03:19 am (UTC)From:no subject
Date: 2007-07-15 03:30 pm (UTC)From:Re the US: It's also very confusing for people who live here, and it can vary from one part of the country to the next. So it depends on where you look, I suppose. (See nell65's comment and my reply to it.)
no subject
Date: 2007-07-15 03:07 pm (UTC)From:The myth that Native-Americans are 'mostly dead' is in itself a problem when trying to really get a handle on how people in the US deal with Native-Americans and Native American issues.
no subject
Date: 2007-07-15 03:14 pm (UTC)From:I would choose to be invisible as well, if this country treated my people they way it has.
I suppose the next question is: what can we do next to ensure continuing progress?